callmemadam: (reading)
In August, Dean Street Press will bring out another batch of Furrowed Middlebrow titles, books written by women and published around the middle of the last century. The new selection is: E.H. Young's Miss Mole, A House in the Country by Ruth Adam, Much Dithering by Dorothy Lambert, Miss Plum and Miss Penny by Dorothy Evelyn Smith, and two by Celia Buckmaster: Village Story and Family Ties. The only one of these I’d read before is Miss Mole, which I have in an old Virago edition. The one I most wanted to read, because I already liked the author, was luckily the other book I was sent: A House in the Country by Ruth Adam.

I love books about housekeeping, especially when the story is about turning a wreck into a home. Ruth Adam begins this book, published in 1957, by saying that it is both a true story and a cautionary tale and warns the reader against ever falling in love with a house. During the Second World War a group of friends, sometimes described as ‘BBC types’, share a house in London. As they weary of overcrowding, noise and the lack of decent food, they fantasise about living in a lovely old house in the country. When the war is over, they find that by pooling their resources, they can just about afford to rent such a house and find their dream in Kent. Oh, be careful what you wish for. At first it all seems too good to be true: a manor house with acres of garden, any amount of space and Howard, the factotum who has kept the house and garden from ruin and knows how everything works (or doesn’t). The author, writing in the first person, finds herself regarded locally as the lady of the manor and expected to behave accordingly.

At first all is well. The garden blossoms and provides food for the house, rooms are cleared for use, everyone gets on, people are found to help out. Gradually, reality creeps in. Someone decides to leave, making a hole in the finances. The water supply runs dry and they find that half the village is using their water. The author/Adam is exhausted trying to keep such a monstrous house clean. Only when they’re on the verge of bankruptcy do they give in, realising that this is a house ‘made to be served’ and that they don’t have enough servers. It’s not at all a depressing book because it’s full of the joys of the countryside, happy children and various interesting characters who come and go. I enjoyed it but it’s not as good as Miss Mole.

E H Young

Feb. 17th, 2011 11:36 am
callmemadam: (woman's magazine)


Donkey’s years ago, I bought a copy of Chatterton Square by E H Young from a charity bookstall. I loved it, kept an eye out for more of the same and have collected the books in the picture. It’s hard to explain what makes this author so readable. The books are almost all set in and around Bristol and Clifton (fictionalised as Radstowe) and are quiet family stories with a moral twist. On the surface, all is conventional but there’s always a character who is anything but. For instance, in The Curate’s Wife, which I’m currently reading, the heroine Dahlia is recently married to a clergyman but doesn’t share his beliefs. Her relations are not the kind a clergyman’s wife would be expected to have: her mother is a countrywoman who used to take in lodgers and at one time had a lover, whom she has now married. Dahlia, very self-assured and independent minded, has to cope with parish duties, parishioners and her new married state while worrying about her mother and sister.

William, which I’ve just re-read, is an odd story because it's told from the man’s point of view. William is a former sea captain who has made money building ships. He’s a thinker, unlike his wife. Kate shared his early hardships, has brought up five children and is essentially practical; she runs the home and lives for and through her husband, children and grandchildren. At the time of the story, four children are married and one daughter still lives at home. The only son is cheerful, easy going and not very bright. One daughter has become a puritanical prig, always martyring herself for no reason, but the other three are originals. Like so many of E H Young’s characters they appear conventional but are capable of subversive thoughts and in one case, behaviour.

Lydia is her father’s favourite, to a degree which I find unhealthy. It’s hard to tell what the author really thinks of her or expects the reader to think. She’s been spoilt and always does just as she pleases yet everyone forgives her because of her liveliness and charm. When she leaves her husband for another man, the family is split between those who feel that all her relatives will be ruined by association and those who think anything she does is right because she’s Lydia. Her father, of course, is in the second category and this causes a temporary estrangement from his wife. This is all very unusual in what we think of as ‘women’s books’. We’re used to heroines (The Provincial Lady is one) who are livelier and less conventional than their husbands. Here, the boot is on the other foot as it’s William who feels he’s missed out on something in life through marrying Kate; that a girl like Lydia has more to give a man. It’s almost as if William is a heroine.

I find the book very enjoyable but unsatisfactory. The central issue seems to me to be whether or not William has been a good father and I have to conclude that he has not. He’s provided well for his children but of the five, four are unhappy for most of the book and his favouritism may have made it impossible for Lydia ever to be happy. He’s always wanting to interfere in the children’s lives, even when they’re grown up; another feminine trait. Nevertheless, his children love him more than they do their mother. I have a lot of sympathy for Kate, as I do for all Marthas, and I don’t much care for Lydia.

I’ve previously recommended Miss Mole. I think I like that one, The Misses Mallett and Chatterton Square best.
callmemadam: (woman's magazine)
Three lightweight books I’ve just read back to back:
Castle in the Air by Maysie Greig
Can’t Wait to get to Heaven by Fannie Flagg
Miss Buncle’s Book by D E Stevenson

Guess which one I liked best? )
callmemadam: (wordle)
Here’s a meme from [livejournal.com profile] girlyswot
Comment on this post.
I will give you a letter.
Think of 5 fictional characters and post their names and your comments on these characters in your LJ.

She’s given me the letter ‘M’. You're very welcome to comment, whether or not you want a letter!

Meryon Fairbrass. Descended from Sussex pirates, he is tough, handsome, clever, amusing. You’d think he was too good to be true except that his creator, Monica Edwards, based him on a real life boy whom she said was all that and more. Forms one of the Westling foursome with Tamzin, Rissa and Roger.

Mary of the John & Mary books by Grace James. She’s sensible, realistic, more of a Martha, really. One of the reasons I like her so much is that I feel all the characters in the books and the author herself preferred John.

Miss Mole. Not really a favourite character but a good excuse to push again the novels of E H Young, which I enjoy so much. A single woman with no money, dependent on dreary work but finding happiness by defying convention. A much better book IMO than Miss Pettigrew Lives for a Day.

Mrs Morland, ‘happily widowed’ writer of detective stories. She features in many of Angela Thirkell’s Barsetshire novels, starting with High Rising. Apparently vague and disorganized (her hair is always coming down); actually hard working single mother of four boys. Her son Tony is much fancied by aficionados.

Jonathan ‘Jonah’ Mansel, cousin of Berry in the novels of Dornford Yates. War hero, ace driver of only the best cars, murderer (only murders villains, so that’s OK), a man of wealth and taste.
callmemadam: (books)
Some gremlin is stopping me from commenting on anyone's journal in BlogSpot and I can read Stuck in a Book but can't chat to him. So here is a Jonathan Cape dustwrapper for Chatterton Square by E H Young. I'd also recommend Miss Mole, The Misses Mallett and other books by this author. Some have been reprinted by Virago and others in a cheap, small uniform edition and I've found all mine cheaply. Chatterton Square is even signed by the author, in teeny, tiny little writing, very self effacing. She had a much more interesting life than might be thought from her books.

The 'entrancing type face' Simon mentions can also be seen on Down the Garden Path by Beverley Nichols (the best book about gardening ever written) and his other early books. Some have the extra delight of dustwrapper and illustrations by Rex Whistler.

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