callmemadam: (reading)
In August, Dean Street Press will bring out another batch of Furrowed Middlebrow titles, books written by women and published around the middle of the last century. The new selection is: E.H. Young's Miss Mole, A House in the Country by Ruth Adam, Much Dithering by Dorothy Lambert, Miss Plum and Miss Penny by Dorothy Evelyn Smith, and two by Celia Buckmaster: Village Story and Family Ties. The only one of these I’d read before is Miss Mole, which I have in an old Virago edition. The one I most wanted to read, because I already liked the author, was luckily the other book I was sent: A House in the Country by Ruth Adam.

I love books about housekeeping, especially when the story is about turning a wreck into a home. Ruth Adam begins this book, published in 1957, by saying that it is both a true story and a cautionary tale and warns the reader against ever falling in love with a house. During the Second World War a group of friends, sometimes described as ‘BBC types’, share a house in London. As they weary of overcrowding, noise and the lack of decent food, they fantasise about living in a lovely old house in the country. When the war is over, they find that by pooling their resources, they can just about afford to rent such a house and find their dream in Kent. Oh, be careful what you wish for. At first it all seems too good to be true: a manor house with acres of garden, any amount of space and Howard, the factotum who has kept the house and garden from ruin and knows how everything works (or doesn’t). The author, writing in the first person, finds herself regarded locally as the lady of the manor and expected to behave accordingly.

At first all is well. The garden blossoms and provides food for the house, rooms are cleared for use, everyone gets on, people are found to help out. Gradually, reality creeps in. Someone decides to leave, making a hole in the finances. The water supply runs dry and they find that half the village is using their water. The author/Adam is exhausted trying to keep such a monstrous house clean. Only when they’re on the verge of bankruptcy do they give in, realising that this is a house ‘made to be served’ and that they don’t have enough servers. It’s not at all a depressing book because it’s full of the joys of the countryside, happy children and various interesting characters who come and go. I enjoyed it but it’s not as good as Miss Mole.
callmemadam: (woman's magazine)
womansplace

A Woman’s Place 1910 – 1975 was part of my recent Persephone trawl. I found it one of the best general books on the subject that I’ve read. Ruth Adam charts the changing attitudes towards women’s work during the twentieth century. Virginia Nicholson’s Singled Out covers some of the same ground; Adam points out that there was already a surplus of women *before* the First World War. Many women, of course, had always worked outside the home: mill girls, agricultural workers, domestic servants and shop assistants. The changes applied to middle and lower middle class women, especially those with professional qualifications which seemed to threaten male bastions. Many people, women as well as men, considered that housekeeping and bringing up children was woman’s highest calling, and the ideal. Two world wars changed that. The new assumption was that homemaking could easily be a part time job while women did war work. This led to further social changes as provision had to be made for looking after children while their mothers worked. For the first time the state became responsible for infant care.

After each world war, everything changed again and once more women were expected to stay at home. It’s depressing to read how (with a few noble exceptions) Labour Party and Trades Union members were a major obstacle to women’s equality at work. Now, we take equal pay for equal work for granted, but many bitter battles were fought over it. (The only job I would except from equal payment is that of women tennis professionals. With Wimbledon starting tomorrow, we shall see again that women players are far less entertaining than male ones.) I found the first part of the book livelier than the second. When writing about the early years, Ruth Adam quotes extensively from novels of the time; H G Wells, John Galsworthy and George Gissing are just some of the authors referred to. (I was immediately fired up to read Ann Veronica and thought I would be able to get it free for the Kindle. Unfortunately not! Yes, I know it’s on Project Gutenberg but I still haven’t found a simple way to transfer files from there to my Kindle.) I think Ruth Adam was perhaps less comfortable writing about the sixties and seventies (she was born in 1907). The quotations disappear and from being sure about what was right and necessary (votes, equal pay), she finds herself on less safe ground and questions whether the sexual revolution was altogether a good thing for women. The back dustwrapper flap of the Persephone edition tells us that Ruth Adam ‘wrote twelve novels … all of them concerned with social issues.’ No mention of her work for Girl comic.
Girl, Susan and nursing )
callmemadam: (reading)
I have just read Intent Upon Reading, by Margery Fisher, in a reprint of the revised edition, printed in 1967. It is rare to find an important and influential critical work which is itself as easy and enjoyable to read as a novel. As the author says, 'the real motive for criticism should be the exchanging of favourites, the recommendation Try this, it’s good '.
Read more... )

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