callmemadam: (reading)


Anderby Wold was Winifred Holtby’s first novel, published in 1923. It opens with Sarah Bannister, neé Burton, driving with her husband to visit her brother John and his much younger wife, Mary. The occasion is a family celebration to mark the ending of the mortgage on Anderby Wold Farm. As she travels, Sarah muses uncharitably on her sister-in-law, which makes the reader inclined to favour Mary. Later, you begin to understand Sarah’s point of view. Mary is the heroine. It’s hard to believe she’s only twenty eight because in ten years she has turned around the fortunes of the farm and paid off the mortgage, while at the same time making herself queen bee and lady bountiful in the village.
‘You’ve no sooner got your shirt in t’wash but she’s after you to see if you want a new one', sighed Ted Wilson.
But even he agreed that she was wonderful.

Obviously someone so apparently perfect is poised for a fall.

One dark and stormy night she meets young David Rossitur and carries him home to be nursed through a cold. He’s a fiery socialist and Mary disagrees with everything he says, yet she enjoys their arguments and mentally contrasts him with her kind but dull husband. This attraction of opposites was to be used again with Carne and Sarah in South Riding. As a result of David’s impassioned speeches and newspaper articles a more practical socialist arrives on the scene who tries to organize the farm workers into a union. This starts a chain of events which proves disastrous for several of the main characters. It’s well known that Holtby had progressive views yet here, as again in South Riding, she shows the difficulty of changing old established ways. While David is a genuine if wrong-headed believer in what he professes, the ‘socialists’ who cause the trouble act out of pure spite. So the reader is obliged to sympathise with the forces of reaction, which is uncomfortable.

No spoilers for the dramatic ending but this is a bleak novel. I still enjoyed reading it for the depiction of Yorkshire life: the landscape; the rituals of the farming year; the dialect; the gossipy, reputation-ruining tea parties; the huge, cholesterol-heavy high teas. It reminded me of Dorothy Whipple’s High Wages and I preferred it to The Crowded Street.
callmemadam: (studygirl)
Not many books last month but some of them were very long.
List
Moonshine , Victoria Clayton.
A College Girl, Mrs Vaizey, read on Kindle.
An Incomplete Revenge (Maisie Dobbs), Jacqueline Winspear
A Girl’s Guide to Kissing Frogs, Victoria Clayton, read on Kindle.
William, E H Young
Lily Alone , Jacqueline Wilson
Queen Eleanor and Fair Rosamond, Mrs Oliphant.
The Curate’s Wife, E H Young
Telling Tales , Ann Cleeves
Dandy Gilver and an Unsuitable Day for a Murder , Catriona McPherson.
South Riding , Winifred Holtby
thoughts )
callmemadam: (reading)


I bought this early edition of South Riding at the market a while ago. As I’d run out of library books and this is the book of the moment, I decided to read it again. I can only say that I must have been a much more patient reader when I was younger because my constant thought on re-reading is this book is too long and needs editing. I doubt if I’ll finish.
more pics and adaptations )
callmemadam: (Joni)
Coming up on BBC1 from Andrew Davies, a new adaptation of Winifred Holtby’s most famous novel, South Riding. I see there was a 1974 series which I don’t remember at all. It’s also the next book for discussion on the Cornflower Book Group and there’s a new Virago edition with a very pretty cover. I’ve read it at least twice. It’s a rollicking good read and more successful than The Crowded Street, which I’ve just finished.


Endpaper design from the Persephone edition

Winifred Holtby grew up in Yorkshire and set The Crowded Street there, in fictional Marshington. The principal characters are the Hammonds: rich, kindly but slightly vulgar Father, better-born and social climbing Mother and their daughters Muriel and Connie. Mrs Hammond is ambitious, wanting to be known to the ‘best’ families and to marry off her daughters well. As Delia, the vicar’s daughter, later tells Muriel, ‘sex success’ is the only thing that matters in Marshington. Delia is clever and manages to get away to college. Sadly for Mrs Hammond, her daughters don’t play up to her. Muriel seems a perpetual bystander, letting things happen to her and failing to attract swains. Connie is tougher and bolder; she gets her own way but at a terrible cost.

We see the Hammonds first in 1900, with shy little Muriel failing socially at a dance, and follow their lives through to 1920. When war comes Muriel stays at home ‘helping Mother’ and working for the Red Cross, while Connie goes off to be a land girl. The place she works at is so like Cold Comfort Farm that events there seem ludicrously melodramatic compared with the rest of the book. Throughout the book Muriel nurses a hopeless passion for the local squire, dashing Godfrey Kneale, apparently losing him for good when he falls for her fascinating school friend Clare. Connie tends to chase men if they don’t chase her. Muriel is eventually rescued by being given an income by her father and then going to look after Delia in London. Only away from home can she become herself. I read this book fast, enjoying the social comedy of provincial life, wanting to shake Muriel and feeling a grudging respect for Mrs Hammond’s steely self-control and determination. I felt it didn’t quite come off. You can’t argue with Holtby’s dislike of the idea that only marriage and children can fulfil a woman and her belief that a spinster can also lead a useful life. Unfortunately, Muriel isn’t a strong enough character to carry these ideas and her transformation at the end of the book is too rushed to be believable.

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