callmemadam: (bobby)


Yesterday evening I had a date with Steve Winwood on BBC 4. English Soul the programme was called and you can see it here. Paul Jones and others commented that this young white boy ‘sounded black’ (I thought the same thing the first time I heard Paolo Nutini). Say ‘Steve Winwood’ and most people think, ‘Traffic’. I must admit that I’ve still got Dear Mr Fantasy as an earworm but I just don’t like druggy music. My tastes are simple. I like R & B and I like it black and white and mono, so you’d hardly expect me to love Traffic and Blind Faith. I much prefer the music Winwood played with the Spencer Davis Group: Keep On Running, Gimme Some Lovin and I’m A Man. And he did all that before he was twenty. Blimey.

Nowadays, Steve Winwood lives in the country, walks his dogs, spends hours in his studio. Oh, and every now and then he does a concert with Eric Clapton. Fascinating documentary, highly recommended, and it was followed by film of him playing Madison Square Gardens with Clapton. It sat strangely with the previous programme, which I caught the end of; a concert given by the Vienna Philharmonic in the gardens of Schönbrunn Palace. To celebrate Schumann’s 200th birthday they played Träumerei from Kinderszenen. Lovely. Träumerei, Schwärmerei. Very appropriate after my little Eva Ibbotson fest.
callmemadam: (reading)



I enjoyed these two books by Eva Ibbotson so much that I snapped up a copy of The Star of Kazan when I saw it in a charity shop the other day. Journey to the River Sea won all the prizes but I like this one better.

It starts all charm and fairy tale, when a foundling is brought to live in a bourgeois home in Vienna, in 1896. The child grows up as a servant but she is loved, secure, respected. Then everything changes and the scene moves to northern Germany. Suddenly, it’s a thriller and I raced through to the end. It’s beautifully written and very atmospheric. Austria, full of warmth, kindness, flowers, good food, is contrasted with a cold, bleak and warlike Germany. In the background, the vast Hungarian plain and its horses, which play such an important part in the story. A child reading this might take in subliminally a picture of Europe before the First World War, much as an adult would get a feel of between-the-wars Europe from Patrick Leigh Fermor’s A Time of Gifts. The heroine is brave and kind, her friends are true and one of them overcomes agoraphobia to help her. The bad people don’t end as unhappily as one might wish but the good are as happy as they deserve to be. All this and Lipizzaner horses, too!

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callmemadam

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