callmemadam: (life on mars)
Outnumbered on television tomorrow evening. I raved about the first series here and the second looks very promising. The child performances are astonishing, probably because their parts are not totally scripted but left to their imaginations. Children can be really scary.

Shall I try and catch Philip Glenister this evening? Good grief, I had no idea the man had his own Live Journal community and about a million fan sites! Trouble is, I'm such a curmudgeon about Children in Need. I know; hate me.
callmemadam: (life on mars)
There have now been three episodes of Ashes to Ashes : enough to make up one’s mind about it? Well of course I’m glued to the screen every week. I don’t think it quite counts as a sequel, though, more like a whole new programme. For a start, in spite of the references to Walkmen and Breville sandwich toasters and the lack of a rape suite down the nick, the retro angle doesn’t work for me at all. 1981 just doesn’t seem so much of a different planet as 1973 did. And who on earth dressed the way Alex does? Nobody I knew. Then Alex is a less sympathetic character than Sam and her weekly drunkenness, which conveniently allows her to lose all inhibitions, is getting predictable and tiresome.

The big attraction is of course the Gene Genie, in spite of his horrible shoes. Philip Glenister plays for laughs and why not?

Alex: gives lengthy motormouth profile of villain.
Gene: Don’t you ever get brainache?

Alex: Perhaps I should go down to King’s Cross.
Gene: Not paying you enough?

Plus now the man has depth.
Alex: obviously wanting him to kiss her (this could run and run)
Gene. I’m drunk. And you’re very drunk.
Oh, swoon! Just like James Stewart in The Philadelphia Story!

Speaking of swooning, Stephen Campbell Moore, who plays Evan, is extremely handsome. It was killing me to know what I’d seen him in before; it was of course The History Boys.
callmemadam: (life on mars)
Radio 4's Loose Ends is a programme which has reached the end of its life IMO but yesterday I stuck with it, hearing that Philip Glenister would be on. I was doubly rewarded as, instead of the usual dire singer-songwriter (where do they find them?) they had wonderful Eddie Reader.

Yes folks, the Gene Genie
returns to our screens in Life on Mars on Tuesday evening and I can't wait. My worry is how on earth they will keep Sam's story interesting? For the whole of the last episode of the first series I was shouting at him to for goodness sake stop crying and arrest his awful father. No question who is the star here and there was a hint yesterday that Gene may go on to have an independent series, set in the eighties. How will that work? Life on Mars depends a lot on the tensions between attitudes then and now. Without 'now' there's no irony, so it's just retro. Hmm, we shall see. I'm also wondering if there will be any explanation of the Twin Peaks elements in the series, by which I mean the girl in the TV and the Jamaican barman.
callmemadam: (Default)
Life on Mars gets no worse. How is it that I had never heard of Philip Glenister




before this series? The man bursts out of the small screen as if he's too big for it. The programme is sometimes described as a good cop/bad cop scenario. As with Spooks, the film producers make one uncomfortably aware of the grey areas in moral decision making. Watching it, I can't help feeling that Bad Cop is on my side, whereas Good Cop is the type who might come round and arrest me for expressing an unfashionable opinion.

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callmemadam

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