callmemadam: (life on mars)
lostinausten

I loved Lost in Austen when it was first shown in 2008. (You have to scroll down to Albert Finney to find my brief notes.) How can it be that long ago? Now I see that it’s being shown again on ITV3, early evenings all this week. I’ve set it to series record.
callmemadam: (Rose Blight)



Lost in Austen got even better last week. One feisty twentieth century girl turns up in Austen-land and all the heroes and villains fall for her! Complicated and fun. I wish I could say the same for the BBC’s new Sunday evening serial, Tess of the D’Urbervilles. As the girls danced I thought, ‘Ooh, I was walking on that very spot last Easter!’ As soon as Tess appeared it was, ‘Poor Tess!’ and then, ‘Angel Clare, you bastard!’ because to my mind he is far worse than Alec. Then my attention wandered; alas, I found it boring. As you see, I know the book, so I wonder how it would appear as a story to someone coming to it for the first time?

I was annoyed that the TV Cranford changed the story but it was so beautifully done that you felt you lived there. In contrast, Tess gave no feeling of village life; just a few dim interiors. The promised (or threatened) ‘scenes of sexual violence’ were absolutely nothing compared with what’s going on in The Tudors, and were much less shocking than in the book. It really isn’t good enough to show a lot of beautiful countryside and add Mummerset accents and I wasn’t impressed by the casting, apart from Anna Massey as Mrs D’Urberville. Hardy made Tess a cipher and that’s how she appears. I have fond memories of a 1970s version of The Mayor of Casterbridge, with Alan Bates. Bates made quite a career in Hardy as he also starred in The Woodlanders and in the film of Far From the Madding Crowd. Now no one could find that film boring. It may lack modern attention to period detail but makes up for it in spirited story telling; something lacking from this slow version of Tess.

callmemadam: (life on mars)



Noticing that the 1963 film of Tom Jones was on television, I recorded it to see me through a very tedious spell of neckband knitting. I was at school when I first saw this film and watching it again it was easy to see why Albert Finney was one of my teen icons. Not that he had much to do here except look handsome and attractive to women; hardly taxing for him in those days. He was absolutely dynamic on stage and everyone thought he’d be the new Olivier but he didn’t want to be. He’s had a strange career, despising honours and luvviedom; an example to lesser talents, I’d say.

Tom Jones was a brave attempt to film a long, rollicking novel and I think captures the spirit of the book quite well. It almost had two casts: the old one, Edith Evans, Hugh Griffith; the young one Finney, Susannah York and David Warner. He was another we schoolgirls admired, especially in Morgan.

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