callmemadam: (reading)
Everything changes and everything stays the same

This is the fourth in a loosely-connected series, of which the first book was Expo 58, which I loved. Bourneville is the story of the Lamb family over five or six generations. When the book opens, Mary is a child during the war, living in Bourneville; by the end she’s eighty-six and trapped alone at home by the pandemic and lockdown rules, unable to see her three sons and their families. Many of the preoccupations of the book are similar to those of Middle England. The story is pinned to events of the period e.g. the Coronation in 1953, the 1966 World Cup, the death of Princess Diana. Significantly, almost all are televised and so shared by families all over the country. Here is my idea of Coe’s research list and all the cutting and pasting he put into the book.

Look up the King’s speech on the wireless at the end of the war.
Find a copy of The Radio Times for 1953 and see what viewers were offered.
When did The Mouse Trap open?
When was Casino Royale first published?
Find a transcript of Richard Dimbleby’s commentary on the Coronation.
What was the most popular television show at the time of the World Cup?
(The Man from Uncle; the Russians are obsessed with it and go to a local hairdressing saloon asking for Robert Vaughn haircuts.)
What were the biggest hits of 1966?
When did people start shopping at Habitat?
How did British Leyland advertise the Metro?
In 1981, how did people use the ZX81?
Which book won the Booker in 1997?
What were the precise instructions from the government on how to behave during the pandemic?

The results of some of these queries are printed verbatim; one way to fulfil your word count, I suppose. There is a story hiding in here but it’s mostly about social change and the helplessness of the liberal middle class watching social tensions, racism and eventually Boris and Brexit, their worst nightmare, until they hardly know what country they live in any more. Poor souls, they live in Guardian-land; a lonely place. I found this too much like what Coe wrote in Middle England, except that only one Trotter is mentioned. The book is really about an angry Jonathan Coe, as you realise when you read the Author’s Notes at the end. Not so much a novel as a collage. On the other hand, I do like reading about people’s daily lives and preoccupations.

I read this thanks to the publisher and NetGalley.
callmemadam: (Joni)


I’ve long been an admirer of Jonathan Coe’s writing, so I was delighted to receive a pre-publication e-book of his latest work, Middle England, from the publishers via NetGalley. It was out yesterday. We are back with the Trotter family, whose lives and those of their friends were the subject of The Rotters’ Club and The Closed Circle. Benjamin, the main character, is now fifty. Having sold a London flat at a vast profit, he’s bought a house in the country and is virtually retired. He’s at last over his Cicely obsession and considers himself happy. His sister Lois will never be happy as she hasn’t recovered from the trauma of the IRA Birmingham bombings back in the seventies. Her daughter Sophie is an art historian and academic and is the other main character, together with Benjamin’s old friend Doug, a successful and prosperous journalist.

The book opens in 2010 and is full of achingly topical references to events which now seem like ancient history. As we read of the racial tensions, ‘the fault line’ running through the country, the anger of those suffering from years of austerity, it’s pretty clear where all this is heading: yup, Brexit. So, this is a state-of-the-nation novel which is nevertheless mostly the state of the white, educated middle classes. There are unpleasant events: the nice Lithuanian couple told to ‘go home’; poor Sophie quite wrongly accused of making a transphobic remark and suspended from her job due to the machinations of Doug’s ghastly daughter. Benjamin feels the country has changed but then, he’s almost morbidly sentimental about his childhood and adolescence. One of the more remarkable things about the Trotters is the way they have kept in touch with people they’ve known for over thirty years.

I read this book quickly, which is easily done because it’s so well written. Yet there’s something about it which doesn’t quite gell. In places, we don’t so much get the zeitgeist expressed through the characters but shoved down our throats with what amounts to verbatim reportage. Then there’s clever Benjamin, whom you could smack for his indecision and obtuseness. He really hasn’t changed since we first met him and at the end of the book, he either starts a brave new life or cops out, depending on your point of view. I’ve taken a star off my review because I found the book ultimately depressing. I was also irritated by the ageism; just about every character over seventy is decrepit, bigoted and unpleasant. Coe is regarded as a humorous writer and there are many amusing moments in this book but for me, as a Remainer, it didn’t work as satire because it’s too true and sad to be funny.

April Books

May. 1st, 2015 08:03 am
callmemadam: (reading)
expo58

Expo 58, Jonathan Coe
White Holiday, Viola Bayley
Good Husband Material , Trisha Ashley
Wish Upon a Star, Trisha Ashley
A Vintage Affair, Isabel Wolff
The Museum of Things Left Behind , Seni Glaister
The Confectioner’s Tale , Laura Madeleine
Memoirs of a Professional Cad, George Sanders
The Rose Garden, Susanna Kearsley
Famous Writers School, Steven Carter
more )
callmemadam: (reading)
maxwellsim

Bride leads the Chalet School, Elinor M Brent Dyer
There’s a Place for Us Part Two, Harriet Evans
Cherry Ames, Mountaineer Nurse, Julie Tatham
My Turn to Make the Tea, Monica Dickens
Blind Corner, Dornford Yates
The Terrible Privacy of Maxwell Sim, Jonathan Coe
The Soul of Discretion , Susan Hill
not a lot to say )

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