callmemadam: (Alan)
celiajohnson

Yesterday, I noticed that Channel 4 was showing the Noel Coward/David Lean collaboration This Happy Breed (1944) at midday, so I recorded it to watch in the evening while progressing slowly with my Aran knitting. Channel 4 sneered before the film started, ‘Now we go frightfully British’. The listings mag called it ‘a quaint portrait’. OK, it may be a rather sentimental portrayal of lower middle class life, but I love this film. I think it’s essential viewing for anyone who wants to understand how the British once liked to see themselves. It’s also useful for readers of inter-war novels; the interiors and clothes are fascinating.
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callmemadam: (reading)


Most people seem to have loved the BBC’s recent adaptation of Great Expectations but I was very disappointed because I felt much of the character of the book was lost. So I read the book again. Read it! I lived, breathed, absorbed it in every pore, felt as if I might be sucked right into its pages and disappear. Dickens must have been a magician. Every trick which the greatest of writers could exploit is here. I wrote briefly about it here and can’t really add much. When Armando Ianucci was talking about Dickens he said that no writer had ever got into a child’s mind the way Dickens did and he gave examples from David Copperfield. This reminded me of George Orwell saying that when he first read David Copperfield as a young boy, he believed the opening chapters had actually been written by a child, they rang so true to a child’s view of the world. Dickens used the same trick again in Great Expectations, so that we see Pip’s limited world through his own eyes.

The first person narrative creates the whole mood of the book. Watching the David Lean film again, I decided the reason it was more successful than the most recent TV adaptation was the occasional use of narration by John Mills as the older, wiser, sadder Pip which makes quite clear that he saw all along how bad his behaviour was towards Joe and deeply regretted it. As I’d only just re-read the book I was also able to notice how great chunks of the dialogue had been lifted straight from it. Of course Lean had to take liberties with the book: no Wopsle (no loss); no Orlick so a natural death for Mrs Joe; no fiancée or family for Herbert. Nevertheless it gives a truer picture of the book than the TV film which was so unsympathetic towards Pip.
callmemadam: (life on mars)

Photo from The Telegraph

Great Expectations is one of my favourite books so I’ll naturally want to see any adaptation going and also be hyper-critical of it. A new series ran for three consecutive evenings on BBC 1 this week. Was it good television? Absolutely. I was glued to the screen and each hour passed in a flash. Did I like it? Not much. It wasn’t so much a film of the book as an interpretation of it, one which made everything obvious in case the viewer didn’t get it (Orlick’s hatred of Pip, for instance) and hinted at things previously unimagined (Jaggers’ relationship with Molly).

As I said, it did make good television but I can’t understand the need to change a story which is already pretty nearly perfect. There’s quite enough going on in the book without making things up, like Herbert Pocket cut off by his family and being friendly with Wemmick. Then there’s what was left out. Joe Gargery was rather modern, not touching enough (where was his devoted nursing of Pip?) and although at the end he did say, ‘Always the best of friends’, we never got the one thing everyone remembers: ‘What larks, eh Pip?’ Poor Wemmick had even lost his Aged P.

Only David Suchet’s Jaggers came near my imagining of any of the book’s characters. It’s hard to feel any sympathy for the Pip of this production until he nurses Magwitch at the end. Estella was neither beautiful nor proud enough. Gillian Anderson’s Miss Havisham looked stunning but seemed so mad that one couldn’t imagine Jaggers thinking her rational enough to take legally binding decisions or to manage her own money. Then there was the unjustified suggestion that she killed herself. Heigh ho, they did choose the happy ending of the two Dickens wrote.

I very much enjoyed the TV series of 1999 (blimey, that long ago?), the one with Charlotte Rampling as Miss Havisham. So good I watched it twice. The trouble is that the definitive film was made over seventy years ago and nothing ever betters it.

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