Kumquats and educashun
Apr. 9th, 2007 08:07 pmThe whole of Radio 4's Front Row programme this evening was devoted to the poet Tony Harrison, who is coming up for seventy and ought to be Poet Laureate. The son of a baker, from a home without books and with parents who were 'inarticulate', he went on to study classics, translate Greek drama for the National Theatre and become a major poet. At his grammar school he was banned from reading Keats aloud in class because of his strong Yorkshire accent. Ironic, considering that Keats was snobbishly looked down on in his own lifetime because he spoke like a Cockney. Harrison has kept his accent and his fondness for his roots; this irritates some people, who think he should have 'got over it' and ceased to be chippy. I've admired his poetry for years and this is a favourite:

In the interview Harrison said that his academic success was due to the 1944 Education Act and six scholarships. How many children today, coming from working class backgrounds, have the opportunity of learning Latin & Greek? The study of classics will soon be as exclusive a privilege as it was before universal education. Where are the Tony Harrisons of the future?
In the interview Harrison said that his academic success was due to the 1944 Education Act and six scholarships. How many children today, coming from working class backgrounds, have the opportunity of learning Latin & Greek? The study of classics will soon be as exclusive a privilege as it was before universal education. Where are the Tony Harrisons of the future?
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Date: 2007-04-09 08:05 pm (UTC)no subject
Date: 2007-04-09 09:20 pm (UTC)no subject
Date: 2007-04-10 07:36 am (UTC)no subject
Date: 2007-04-09 09:02 pm (UTC)no subject
Date: 2007-04-09 09:24 pm (UTC)Book Ends was read on the programme, not surprisingly. He's both brilliant and accessible, which I suppose is why he's been on the curriculum for a while now.
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Date: 2007-04-09 09:23 pm (UTC)My favourite of his poems though, is V, about the graffiti on tomb stones in a Leeds graveyard. I think it's wonderful how he builds up the anger at the way the graves have been covered in swear words, but at the same time manages to make those swear words part of the poetry, and quite melodious and natural. Like in these stanzas:
The language of this graveyard ranges from
a bit of Latin for a former Mayor
or those who laid their lives down at the Somme,
the hymnal fragments and the gilded prayer,
how people 'fell asleep in the Good Lord',
brief chisellable bits from the good book
and rhymes whatever length they could afford,
to CUNT, PISS, SHIT and (mostly) FUCK!
Anyway, I could go on for ages about how great Tony Harrison is, but he is great. It's nice to meet another fan.
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Date: 2007-04-10 06:42 am (UTC)Likewise! I'm also keen on V. Not all his stage work is that successful, IMO, but I love the poetry.
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Date: 2007-04-10 01:49 am (UTC)Once long ago here was a poet, who died
See how remorse twitching his mouth proclaims
It was a natural death, but suicide
(Wykes, David. A Preface to Dryden. Longman, 1977).
Firstly if you know Tony Harrison's poetry you should know that he can never become laureate and rightly so. He doesn't believe in the poet laureateship as an institution, nor in the monarchy. He put his views forward rather sharply when the question arose upon the demise of the late Ted Hughes.
Hartleyhare, I believe you're referring to Selected Poems. The Collected has appeared for the first time. Hence the rare recitals and interviews.
www.rehanqayoom.blogspot.com
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Date: 2007-04-10 06:44 am (UTC)Re:
Date: 2007-04-10 08:34 am (UTC)no subject
Date: 2007-04-10 09:29 am (UTC)