callmemadam: (Alan)
[personal profile] callmemadam


Last week, LoveFilm sent me Morgan: A Suitable Case for Treatment in time for Saturday evening viewing. I last saw it when it came out and was surprised to find how well I remembered whole scenes after hem hem years. Morgan, played by David Warner, is a working class artist married to, but soon to be divorced from, rich Leonie, (Vanessa Redgrave, so beautiful). His behaviour is erratic, to say the least. He refuses to accept that his wife has had enough of him and takes refuge in bizarre fantasies, mostly involving animals. (We’d see this again ten years later in The Rise and Fall of Reginald Perrin.)

It’s rather a subversive film in that at first the viewer is not sure whether or not Morgan is really mad. You tend to sympathise with him because his in-laws and Leonie’s new fiancé, Charles, are caricatures of upper class types of the time. Morgan’s dotty communist mother, (Irene Handl), calls him a class traitor. Marx is another of Morgan’s obsessions. First time around, I thought Morgan really cute and his escapades quite funny. Now, he seems like a dangerous stalker; laying traps for Leonie and Charles (Robert Stephens) and trying to blow up his mother-in-law. You constantly ask yourself why Leonie doesn’t change the locks/move house/get a court injunction (she does try this), to escape Morgan’s unwanted attentions? Uncomfortably, although determined to marry Charles and lead a normal life, she still finds Morgan’s behaviour a turn-on. Spoiled bitch. No wonder the poor chap's confused, and in the end he does go right over the edge.

I’d have to say it’s a good film, if only because I could remember it so well. It does show the best and worst of sixties films. Good soundtrack, very evocative of the period, a lot of Keystone Cops-type dashing about (think A Hard Day’s Night or The Knack), rather too much wackiness. When I was a theatre-mad schoolgirl, David Warner was right up there with Albert Finney and Tom Courtenay for us gels, and if you watch the film, you’ll see why. He’s still acting but I’d say he's less famous than the other two? Some young thing will have to tell me.

Date: 2012-03-21 11:09 pm (UTC)
lethe1: (love)
From: [personal profile] lethe1
I'm hardly a young thing any more, but the name David Warner means nothing to me, whereas Albert Finney and Tom Courtenay are very well-known.

I saw Morgan only once, on TV, in the late '70s or early '80s, I think. I thought it was a really good film, even though I remember very little of it now (but then, I have a bad memory for films and books in general), and I was surprised it was not better known.

I do remember I thought the main character looked rather cute, and that although it was presented as a comedy it was really quite a sad film.

Funnily enough, when I watched the YouTube clip just now I thought the actor looked familiar, but that was because I'd seen him recently in the second series of Mad Dogs (starring John Simm and Philip Glenister), playing a retiree! :-)

Date: 2012-03-22 07:37 am (UTC)
From: [identity profile] callmemadam.livejournal.com
Hah, that's interesting.

I agree it's wrong to bill it as a hilarious comedy.

David Warner was in Mad Dogs? I didn't watch that. Not surprising if he played a retiree as he's now at least seventy.
Edited Date: 2012-03-22 07:38 am (UTC)

Date: 2012-03-22 06:18 pm (UTC)
lethe1: "I always say there is a time to take off the noose, and put on the kettle." (words of wisdom)
From: [personal profile] lethe1
He still looked very sprightly!

And the 'retiree' part was just a front for his flourishing business as a drugs lord. His character was both charming and menacing, like Morgan was too in a way.

Films

Date: 2012-04-04 05:13 pm (UTC)
From: [identity profile] susievereker.blogspot.co.uk (from livejournal.com)
Not sure about Morgan, but have you any other suggestions about dvds to order from Love Film. I am often stuck for ideas.

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