Luxury Past & Present
Jun. 29th, 2011 10:03 amthe iconic fragrance which Thierry Wasser wants to turn pink
Did anyone else watch the BBC 4 programme Perfume yesterday evening? It showed Guerlain and Estée Lauder trying to appeal to new, younger perfume buyers. For my taste, the programme was too much about marketing and not enough about the alchemy of creating a successful perfume but it was still interesting. Viewers were left wondering what the ‘racist remark’ was which Jean-Paul Guerlain made on live TV but it’s easily Googled. As a result, the last Guerlain to run the company was deposed before his time to be replaced by his scheduled heir, Thierry Wasser. I was intrigued by Wasser’s comment that the production of Guerlain perfumes was artisanale compared with its competitors and would have to change. He’s looking for globalization just at the time when ‘artisanal’ is the buzzword when applied to other products.
Perfume was followed by The Luxe Experience, with lots of wonderful photographs of art deco buildings and Paul Attenbury waxing eloquent about his favourite era. Unfortunately I fell asleep before the end so will have to catch it on the iPlayer.
[Poll #1757051]
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Date: 2011-06-29 10:03 am (UTC)I wished that I'd watched both of those programmes. I must look what's on and remember!
x
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Date: 2011-06-29 10:50 am (UTC)Almost the first shot in the film showed a very elegant Parisienne wanting perfume for 'this young lady', presumably her daughter. After much experimenting they picked 'her very first perfume' (she looked about twelve) and so hoped to make her a Guerlain customer for life.
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Date: 2011-06-29 02:34 pm (UTC)Fool or Love (Ego Facto). All the mad luxury of five Yardley soaps all at once.
Miss Dior (Doir). The present Miss Dior is a dry pinched, aldehydic chypre, ageless in a prematurely wrinkled way, and makes me think of pursed, painted lips hissing disparaging bons mots.
To a more acceptable...
Shalimar (Guerlain). (Cut at the start as it's a large comment). Shalimar reminds me of those weird, garish paint schemes, all bold strokes and vivid colours, used on WW1 battleships to make them invisible from a distance. Up close it is intensely woody-smoky with huge animalic notes, a sort of Jicky wound up like a seven-day clock. From afar it is vanillic amber with merely exceptional reach. (Much more in the description). It gets five stars :)
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Date: 2011-06-29 04:56 pm (UTC)I've always had trouble finding a good scent for my skin. Then once I was given a tester of Madame Rochas. I'd never have picked it myself, because I didn't like the name or the look (very traditional), but it turned out to be perfect for me. Nowadays I can't find the eau de parfum anywhere, not even in tax-free shops, and the eau de toilette isn't as good, it smells much more synthetic.
After that I've had Pear Cassis by Fresh for a while. That was a lovely, cheering scent, even though it didn't last long on my skin, but it has been discontinued.
I haven't been able to find a good replacement yet, so at the moment I'm going without.
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Date: 2011-06-29 05:16 pm (UTC)no subject
Date: 2011-06-30 09:48 am (UTC)no subject
Date: 2011-06-30 03:43 pm (UTC)Scent - Guerlain, etc.
Date: 2011-07-02 04:04 pm (UTC)Later I loved Madame Rochas, which my husband once bought for me as a present, and later still, I was given a bottle of Hermes' Caleche and that, of all the scents I loved, including Guerlain's L'heure Bleue and Chanel No 5 and Chanel 19, has to be my favourite. Sadly modern scents don't do it for me. I've recently bought two from L'Occitane, Verbena and Mimosa but they have no staying power whatsoever and modern versions of the lovely light Je Reviens and Blue Grass smell far to synthetic compared with how they smelt 50 years ago. As for Shalimar, I find it too heavy, as I do Samsara.
I believe the next programme in this short series about scent will be about making the actual products.
Margaret P
Re: Scent - Guerlain, etc.
Date: 2011-07-02 06:09 pm (UTC)I'm looking forward to the next programme; in fact I'm enjoying the whole Luxury series very much.