Cover of reprint
After reading The White Cottage Mystery, I embarked on a small Allingham re-read. I began with The Fashion in Shrouds, an old favourite set in the upper class, fashionable pre-war world which was then Campion’s natural milieu. I moved on to The China Governess. This was a late addition to my collection and I’d only read it once before, so it was like reading a new book. The plot is very complicated. A young man, Timothy, recently engaged to a beautiful heiress, suddenly discovers that everything he has believed about his birth is wrong. His prospective father-in-law wants to know more before allowing the marriage to take place and most of the book is taken up with finding out the truth.
What struck me on re-reading this was what an isolated little world Margery Allingham created for it. She rarely visited London, preferring to stay at home in the country, yet you believe totally in her imagined little corners of London. This goes for More Work for the Undertaker and The Tiger in the Smoke as well. The China Governess has the usual cast of Albert Campion, Charlie Luke and Lugg but sadly no Amanda, whom Allingham made little use of in her later books. Timothy’s family live in a world of their own; they are a family for whom the very word ‘governess’ is strangely sinister. The book was first published in 1963 but it might as well be 1953. It’s as if the end of the "Chatterley" ban And the Beatles' first LP. had never happened.
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